A Theory of Fine Art

actual æsthetic ancient architecture architrave artist awakened belongs body breadth called capable character color common conception considered constitutes contemplating depth dimensions of space distinct distinguished effect elements elevation emotion equipoise essential excitement expression fact faculty feeling figures fine arts forms of sense genius Greece harmony Hence highest human mind idea images imagination imitation individual infinite harmony interest judg judgment of taste kind language Laocoön law of form less Lord Bacon Lyrical Ballads material matter means ment mode modern moral nature never object outward forms painter painting particular passions peculiar perfect Phidias pillars plastic arts pleasure poet poetry possess present principle produced proportion pure purpose realization relation remark represented rience says sculpture seems sensuous significance simply sion soul sound spirit style sublime symbols theory thing thought tion true truth ture uncon understanding unity UNIVERSITY OF VERMONT whole wholly word