English Critical Essays: Nineteenth CenturyEdmund David Jones Oxford University Press, 1921 - 610 páginas |
Dentro del libro
Resultados 1-3 de 84
Página 199
... write with a view of unburthening their minds , and not for the sake of writing ; for love of the subject , not of the employment . The distinc- tion is very striking in descriptive poetry . Com- pare the landscapes of Cowper with those ...
... write with a view of unburthening their minds , and not for the sake of writing ; for love of the subject , not of the employment . The distinc- tion is very striking in descriptive poetry . Com- pare the landscapes of Cowper with those ...
Página 414
... write genuine poetry , and not be a poet ; for whosoever writes out truly any human feeling , writes poetry . All persons , even the most unimaginative , in moments of strong emotion , speak poetry ; and hence the drama is poetry ...
... write genuine poetry , and not be a poet ; for whosoever writes out truly any human feeling , writes poetry . All persons , even the most unimaginative , in moments of strong emotion , speak poetry ; and hence the drama is poetry ...
Página 457
... write in few words than to write in many ; to take the best adjuncts , and those only , for what you have to say , instead of using all which comes to hand ; it is an additional labour if you write verses in a morning , to spend the ...
... write in few words than to write in many ; to take the best adjuncts , and those only , for what you have to say , instead of using all which comes to hand ; it is an additional labour if you write verses in a morning , to spend the ...
Contenido
WILLIAM WORDSWORTH 17701850 | 1 |
SAMUEL TAYLOR COLERIDGE 17721834 | 40 |
WILLIAM BLAKE 17571827 | 85 |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
action admiration Aeschylus artist beauty Ben Jonson called character charm Chaucer Coleridge Coleridge's colour composition criticism Dante delight distinction divine drama effect emotion excellence excitement expression fact faculty Faerie Queene fancy feeling genius give Goethe Grasmere Greek Hamlet heart highest human idea images imagination impression instance intellectual judgement kind language less literature living look Lyrical Ballads Macbeth manner means metre metrical Milton mind modern moral nature Nether Stowey never object Orlando Furioso Othello painting Paradise Lost passion pathetic fallacy peculiar perfect perhaps person Petrarch philosopher pleasure poem poet poet's poetical poetry present Priam principle produced prose reader reason rhyme sacred sacred poet seems sense Shakespeare sort soul speak Spenser spirit stanza style sympathy taste things thought tion tragedy true truth uncon verse whole William Wordsworth words Wordsworth write