English Critical Essays: Nineteenth CenturyEdmund David Jones Oxford University Press, 1921 - 610 páginas |
Dentro del libro
Resultados 1-3 de 83
Página 22
... Reader is utterly at the mercy of the Poet , respecting what imagery or diction he may choose to connect with the passion ; whereas , in the other , the metre obeys certain laws , to which the Poet and Reader both willingly submit ...
... Reader is utterly at the mercy of the Poet , respecting what imagery or diction he may choose to connect with the passion ; whereas , in the other , the metre obeys certain laws , to which the Poet and Reader both willingly submit ...
Página 25
... Reader to a height of desirable excitement , then ( unless the Poet's choice of his metre has been grossly injudicious ) , in the feelings of pleasure which the Reader has been accustomed to connect with metre in general , and in the ...
... Reader to a height of desirable excitement , then ( unless the Poet's choice of his metre has been grossly injudicious ) , in the feelings of pleasure which the Reader has been accustomed to connect with metre in general , and in the ...
Página 479
... readers is unequal . They , have on the turf the convenient expression ' staying power ' : some horses can hold on and others cannot . But hardly any reader not of especial and peculiar nature . can hold on through such composition ...
... readers is unequal . They , have on the turf the convenient expression ' staying power ' : some horses can hold on and others cannot . But hardly any reader not of especial and peculiar nature . can hold on through such composition ...
Contenido
WILLIAM WORDSWORTH 17701850 | 1 |
SAMUEL TAYLOR COLERIDGE 17721834 | 40 |
WILLIAM BLAKE 17571827 | 85 |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
action admiration Aeschylus artist beauty Ben Jonson called character charm Chaucer Coleridge Coleridge's colour composition criticism Dante delight distinction divine drama effect emotion excellence excitement expression fact faculty Faerie Queene fancy feeling genius give Goethe Grasmere Greek Hamlet heart highest human idea images imagination impression instance intellectual judgement kind language less literature living look Lyrical Ballads Macbeth manner means metre metrical Milton mind modern moral nature Nether Stowey never object Orlando Furioso Othello painting Paradise Lost passion pathetic fallacy peculiar perfect perhaps person Petrarch philosopher pleasure poem poet poet's poetical poetry present Priam principle produced prose reader reason rhyme sacred sacred poet seems sense Shakespeare sort soul speak Spenser spirit stanza style sympathy taste things thought tion tragedy true truth uncon verse whole William Wordsworth words Wordsworth write