English Critical Essays: Nineteenth CenturyEdmund David Jones Oxford University Press, 1921 - 610 páginas |
Dentro del libro
Resultados 1-3 de 70
Página 1
... common pleasure and , on the other hand , I was well aware , that by those who should dislike them , they would be read with more than common dislike . The result has differed from my expecta- tion in this only , that a greater number ...
... common pleasure and , on the other hand , I was well aware , that by those who should dislike them , they would be read with more than common dislike . The result has differed from my expecta- tion in this only , that a greater number ...
Página 36
... common in the best writers both ancient and modern . Perhaps in no way , by positive ex- ample , could more easily be given a notion of what I mean by the phrase poetic diction than by re- ferring to a comparison between the metrical ...
... common in the best writers both ancient and modern . Perhaps in no way , by positive ex- ample , could more easily be given a notion of what I mean by the phrase poetic diction than by re- ferring to a comparison between the metrical ...
Página 59
... common extemporary devotion , and such as we might expect to hear from every self - inspired minister of a conventicle ! And I reflect with de- light , how little a mere theory , though of his own workmanship , interferes with the ...
... common extemporary devotion , and such as we might expect to hear from every self - inspired minister of a conventicle ! And I reflect with de- light , how little a mere theory , though of his own workmanship , interferes with the ...
Contenido
WILLIAM WORDSWORTH 17701850 | 1 |
SAMUEL TAYLOR COLERIDGE 17721834 | 40 |
WILLIAM BLAKE 17571827 | 85 |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
action admiration Aeschylus artist beauty Ben Jonson called character charm Chaucer Coleridge Coleridge's colour composition criticism Dante delight distinction divine drama effect emotion excellence excitement expression fact faculty Faerie Queene fancy feeling genius give Goethe Grasmere Greek Hamlet heart highest human idea images imagination impression instance intellectual judgement kind language less literature living look Lyrical Ballads Macbeth manner means metre metrical Milton mind modern moral nature Nether Stowey never object Orlando Furioso Othello painting Paradise Lost passion pathetic fallacy peculiar perfect perhaps person Petrarch philosopher pleasure poem poet poet's poetical poetry present Priam principle produced prose reader reason rhyme sacred sacred poet seems sense Shakespeare sort soul speak Spenser spirit stanza style sympathy taste things thought tion tragedy true truth uncon verse whole William Wordsworth words Wordsworth write