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" ... in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing! Are we a piece of machinery, which, like the ./Eolian harp, passive, takes the impression of... "
A Theory of Fine Art - Página 106
por Joseph Torrey - 1874 - 290 páginas
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The Monthly Visitor, and Entertaining Pocket Companion, Volumen12

1801 - 452 páginas
...without feeling an elevation of soul like, the enthusiasm of devotion, or poetry. Tell me, my dear friend, to what can this be owing? Are we a piece...like the Eolian harp, passive takes the impression ot the passing accident ? Or do these workings arfie something within us above the trodden clod ? own...
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The Edinburgh Review: Or Critical Journal, Volumen13

1809 - 530 páginas
...morning, without feeling an elevation of soul like the endiusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece...takes the impression of the passing accident ? Or do diese workings argue something widiin us above the trodden clod ? ' II. p. 195 — 197. To this we...
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The Edinburgh Review: Or Critical Journal, Volumen48

1828 - 722 páginas
...morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the . lv>li;m harp, passive, takes the impression of the passing accident ? or do these workings argue...
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Censura Literaria: Containing Titles, Abstracts, and Opinions ..., Volúmenes1-2

Sir Egerton Brydges - 1805 - 908 páginas
...poetry. Tell me, my dear friend, to what can this be owing? Arc we a piece of machinery, which, like an Eolian harp, passive, takes the impression of the...proofs of those awful and important realities — a God thdt made all things — man's immaterial and immortal nature — and a world of weal and woe beyond...
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The Prosaic Garland: Consisting of Upwards of Two-hundred Pieces Selected ...

John Evans - 1807 - 318 páginas
...vation of sool like the enthusiasm of devotion, or poetry. Tell me, my dear friend, to wlmt can this he owing ? Are we a piece of machinery, which, like the Eolian harp, passive takes the impression ot" the passing accident ? Or <io these workings argue something within us above the trodden ciod ?...
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The Edinburgh Review, Volumen13

1809 - 530 páginas
...morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece...argue' • something within us above the trodden clod ? * II. p. 195—197. To this we may add the following passage, as a part, indeed, of the same picture....
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Select Reviews, and Spirit of the Foreign Magazines, Volumen2

Enos Bronson - 1809 - 458 páginas
...morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece...workings argue something within us above the trodden clod ?" II. p. 195—197. To this we may add the following passage, us a part, indeed, of the same picture"...
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Select Reviews, Volúmenes1-2

1809 - 914 páginas
...me, my dear friend, to what can this be owing Ï Are we a piece of machinery, which, like the Kolian harp, passive, takes the impression of the passing...workings argue something within us above the trodden clod !" II. p.. 195—197. To this we may add the following passage, as a part, indeed, of the same picture"...
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The British Prose Writers...

1819 - 364 páginas
...morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the Eoliau harp, passive, takes the impression of the passing accident ? Or do these workings argue something...
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Letters, Volúmenes1-2

Robert Burns - 1819 - 388 páginas
...morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the Eoliau harp, passive, takes the impression of the passing accident ? Or do these workings argue something...
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