A Theory of Fine ArtScribner, Armstrong,, 1874 - 290 páginas |
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Página 74
... standing . Now , in the case of all other judgments , the imagination is not left to its own free play , but is limited and restrained by a definite conception ; a formal conception of the understanding lies at the basis of the judgment ...
... standing . Now , in the case of all other judgments , the imagination is not left to its own free play , but is limited and restrained by a definite conception ; a formal conception of the understanding lies at the basis of the judgment ...
Página 75
... standing , it must have a power of spontaneously and unconsciously conforming to the laws which reason gives the understanding in forming concep- tions ; and the common ground of all judgments of tastes is the sense of perfect harmony ...
... standing , it must have a power of spontaneously and unconsciously conforming to the laws which reason gives the understanding in forming concep- tions ; and the common ground of all judgments of tastes is the sense of perfect harmony ...
Página 76
... standing of this or that individual , in which there is so much difference ; but is one with the inner prin- ciple lying at the ground of all knowledge , and therefore may , and indeed must , be presumed to be the same in all men , we ...
... standing of this or that individual , in which there is so much difference ; but is one with the inner prin- ciple lying at the ground of all knowledge , and therefore may , and indeed must , be presumed to be the same in all men , we ...
Página 112
... standing with a pencil in one hand , and a small sheet of ivory in the other , and his eyes directed to the opposite side of the room , as though he was taking some object on his ivory sheet . Dr. Clarkson did not see this man until he ...
... standing with a pencil in one hand , and a small sheet of ivory in the other , and his eyes directed to the opposite side of the room , as though he was taking some object on his ivory sheet . Dr. Clarkson did not see this man until he ...
Página 124
... standing in the highest rank as artists as well as thinkers in the ancient world ; not to quote the authority of Raphael and Guido Reni , nor even that of Dryden and Sir Joshua Reynolds ; all of whom , not only employ this term as ...
... standing in the highest rank as artists as well as thinkers in the ancient world ; not to quote the authority of Raphael and Guido Reni , nor even that of Dryden and Sir Joshua Reynolds ; all of whom , not only employ this term as ...
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Términos y frases comunes
actual æsthetic agreeable ancient architecture artist awaken Baldassare Castiglione beautiful belongs breadth called capable character characteristic Charles Bell Cicero color common complacency conception considered constitutes contemplating cultivation dimensions distinguished effect emotions equipoise Essay essence essential excitement expression fact faculty feel fine arts form of sense freedom genius Greece harmony Hence highest human mind idea ideal images imagination imitation individual infinite harmony intellectual interest judg judgment of taste kind Laocoön less Lord Bacon Manasseh Cutler material matter means ment mode modern moral nature never object original outward painter painting particular passions perception perfect plastic arts pleasure poet poetry possess present principle produce proportion pure purpose realization relation represented rience rules says sculpture seems sensuous simply sion Sir Francis Burdett soul spirit style sublime symbols theory thing thought tiful tion true truth ture uncon understanding unity universal whole wholly
Pasajes populares
Página 212 - The intelligible forms of ancient poets, The fair humanities of old religion, The power, the beauty, and the majesty, That had their haunts in dale, or piny mountain. Or forest by slow stream, or pebbly spring, Or chasms and wat'ry depths; all these have vanished ; They live no longer in the faith of reason!
Página 106 - ... in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing! Are we a piece of machinery, which, like the ./Eolian harp, passive, takes the impression of the passing accident; or do these workings argue something within us above the trodden clod...
Página 129 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
Página 252 - The Poet writes under one restriction only, namely, the necessity of giving immediate pleasure to a human Being possessed of that information which may be expected from him, not as a lawyer, a physician, a mariner, an astronomer, or a natural philosopher, but as a Man.
Página 7 - It is a metaphor, taken from a passive sense of the human body, and transferred to things which are in their essence not passive, — to intellectual acts and operations.
Página 254 - The objects of the Poet's thoughts are everywhere; though the eyes and senses of man are, it is true, his favourite guides, yet he will follow wheresoever he can find an atmosphere of sensation in which to move his wings.
Página 106 - I have some favourite flowers in spring, among which are the mountain-daisy, the hare-bell, the fox-glove, the wild brier-rose, the budding birch, and the hoary hawthorn, that I view and hang over with particular delight.
Página 125 - Neither let it be deemed too saucy a comparison to balance the highest point of man's wit with the efficacy of Nature ; but rather give right honour to the heavenly Maker of that maker, who, having made man to His own likeness, set him beyond and over all the works of that second nature : which in nothing he showeth so much as in Poetry, when with the force of a divine breath He bringeth things forth far surpassing her doings...
Página 171 - Each cast at the other, as when two black clouds, With heaven's artillery fraught, come rattling on Over the Caspian...
Página 240 - That tall Man, a giant in bulk and in height, Not an inch of his body is free from delight ; Can he keep himself still, if he would ? oh, not he ! The music stirs in him like wind through a tree.