Sound and Fury Signifying...everything: An Actor's Process in Plays of Heightened LanguageUniversity of Wisconsin--Madison, 1998 - 322 páginas |
Contenido
Shakespeares Text | 7 |
Textual research tools | 16 |
Metrical Clues and the Map of Language | 25 |
Otras 18 secciones no mostradas
Términos y frases comunes
acting actor actor playing Alan Rickman alignment allow antithesis audience Barker's Barton become begins Berry body breath caesuras chapter character Cicely Berry claims clear clues connection consonants contemporary David Frank discovery Duke Elizabethan emotional energy exercise explore Fall feel focus Folio fool Freeman heightened language texts heightened texts Howard Barker humor Iago iambic pentameter images impulse intention Jaques Joseph Karen Ryker Kent Kent's Kevin Coleman King Lear Kristin Linklater Lear Journal Lessac Linklater Macbeth mask moments muscles Natural Voice naturalistic Neil Freeman onomatopoeia Othello pause performance phrase pitch playing heightened language plays of heightened punctuation Rabey rehearsal process release resonance rhetorical rhythm scene seems sense sexual Shakespeare Journal Shakespeare's plays Shakespeare's text shifts simply sound speaking specific speech stage stressed Stucley Stucley's Suffolk tai-chi technique tend textual thought Tillyard tone trust Variorum verse vibrations vocal folds vocal/physical Voice Journal vowel words