The Actor at Work

achieve acting activity actor alignment Aristotle aspects attitude audience awareness beat become begin behavior body breath stream called chapter character character structure character's choice communication conflict Constantin Stanislavski create crisis develop Dionysus director dramatic action Edward Albee Edward Sapir emotion energy flows Erving Goffman everyday example Exercise experience explore expression external feel fellow actors Figure focus gesture Glass Menagerie goal idea images important inner instance Jerry Kabuki King Lear language mask meaning Michel Saint-Denis Moshe Feldenkrais move movement natural objective onomatopoeia Othello partner pattern performance person physical play playwright plot psychological rehearsal relationship relaxation response Restoration comedy rhythm role scene sense shape situation skills social someone sound space specific speech stage Stanislavski stimulus structure style subtext syllables tension Theatre Arts Books theatrical things through-line vocal voice whole Willy Loman words York Zoo Story