English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones Oxford University Press, 1965 - 394 páginas |
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Página 59
... Greeks and Romans ? Which how it may be effected I will now proceed to demonstrate . THE THIRD CHAPTER : OF OUR ENGLISH NUMBERS IN GENERAL There are but three feet which generally distinguish the Greek and Latin verses , the Dactyl ...
... Greeks and Romans ? Which how it may be effected I will now proceed to demonstrate . THE THIRD CHAPTER : OF OUR ENGLISH NUMBERS IN GENERAL There are but three feet which generally distinguish the Greek and Latin verses , the Dactyl ...
Página 165
... Greek and Latin . No man is tied in modern poesy to observe any farther rule in the feet of his verse , but that they be dis- syllables ; whether Spondee , Trochee , or Iambic , it matters not ; only he is obliged to rhyme : neither do ...
... Greek and Latin . No man is tied in modern poesy to observe any farther rule in the feet of his verse , but that they be dis- syllables ; whether Spondee , Trochee , or Iambic , it matters not ; only he is obliged to rhyme : neither do ...
Página 248
... Greek , and Aeneas the remote founder of Rome . By this means their countrymen ( whom they principally proposed to themselves for their readers ) were particularly attentive to all the parts of their story , and sympathized with their ...
... Greek , and Aeneas the remote founder of Rome . By this means their countrymen ( whom they principally proposed to themselves for their readers ) were particularly attentive to all the parts of their story , and sympathized with their ...
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SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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Términos y frases comunes
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written