Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 17
Página 51
... troop train by some of Mosby's guerrillas , who were subsequently taken prisoner and then massacred by Federal troops . The description ends with a summary of the attitudes of those troops : " There was no exultation , little said ...
... troop train by some of Mosby's guerrillas , who were subsequently taken prisoner and then massacred by Federal troops . The description ends with a summary of the attitudes of those troops : " There was no exultation , little said ...
Página 144
... troops and materiel are entirely absent from the photographs . Barnard represents the rapid movement of the troops by means of a sequence of images that proposes the camera lens as a substitute for the eyes of a commanding officer . The ...
... troops and materiel are entirely absent from the photographs . Barnard represents the rapid movement of the troops by means of a sequence of images that proposes the camera lens as a substitute for the eyes of a commanding officer . The ...
Página 148
... troops marched around Kenesaw : The failure of these attacks to break through the rebel line [ of fortifications on Kenesaw Mountain ] determined General Sherman to execute a flanking movement to the right , which was completely ...
... troops marched around Kenesaw : The failure of these attacks to break through the rebel line [ of fortifications on Kenesaw Mountain ] determined General Sherman to execute a flanking movement to the right , which was completely ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |