Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 13
Página 46
... textual or otherwise— but provides no causal explanation for this absence . Additionally , the metaphor of embalming specifically criticizes the textual mode of rep- resentation in general by suggesting that texts preserve only the ...
... textual or otherwise— but provides no causal explanation for this absence . Additionally , the metaphor of embalming specifically criticizes the textual mode of rep- resentation in general by suggesting that texts preserve only the ...
Página 79
... Textual structures of historical representation such as “ mode of emplotment ” and “ mode of argument , ” Hayden White argues , always imply an ideological agenda ( 29 ) . Fredric Jameson claims similarly that " history is not a text ...
... Textual structures of historical representation such as “ mode of emplotment ” and “ mode of argument , ” Hayden White argues , always imply an ideological agenda ( 29 ) . Fredric Jameson claims similarly that " history is not a text ...
Página 167
... textual and visual sources . His footnotes to the individual poems indicate that in composing the Battle - Pieces he relied heavily on accounts of battles and other events as he found them in The Rebellion Record , a thirteen - volume ...
... textual and visual sources . His footnotes to the individual poems indicate that in composing the Battle - Pieces he relied heavily on accounts of battles and other events as he found them in The Rebellion Record , a thirteen - volume ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |