Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 70
Página 53
... seem to meditate on an impending war — as in the 1855 preface , according to which , “ In war [ the poet ] is the most ... seems to predict the Southern states ' attempts to remove themselves from a system that interdicted their politics ...
... seem to meditate on an impending war — as in the 1855 preface , according to which , “ In war [ the poet ] is the most ... seems to predict the Southern states ' attempts to remove themselves from a system that interdicted their politics ...
Página 126
... seems fruitless to speculate about the origin of these captions , since the relevant records have been lost . What is clear , amid this uncertainty about authorship , is that those involved in the production and distribution of war ...
... seems fruitless to speculate about the origin of these captions , since the relevant records have been lost . What is clear , amid this uncertainty about authorship , is that those involved in the production and distribution of war ...
Página 189
... seems to be free to speculate on politics in the abstract . Still , although the poem does not represent a battle between Union and Confederate troops , vi- olence is a central part of its subject , and Melville refuses to represent it ...
... seems to be free to speculate on politics in the abstract . Still , although the poem does not represent a battle between Union and Confederate troops , vi- olence is a central part of its subject , and Melville refuses to represent it ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |