Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 14
Página 23
... seemed to share this sentiment when in 1862 he proposed a scheme for ridding the country of blacks entirely by colonizing them in Central America ( Lincoln , 6 : 370-73 ; McPherson , 508-09 ) . Many of the attributes of Satan in these ...
... seemed to share this sentiment when in 1862 he proposed a scheme for ridding the country of blacks entirely by colonizing them in Central America ( Lincoln , 6 : 370-73 ; McPherson , 508-09 ) . Many of the attributes of Satan in these ...
Página 48
Poetry, Photography, and the Crisis of the Union Timothy Sweet. seemed to have found a guarantee of poetic representation in tropes of adhesiveness , the very notion of a memorandum implies that a text is not thoroughly adhesive . And ...
Poetry, Photography, and the Crisis of the Union Timothy Sweet. seemed to have found a guarantee of poetic representation in tropes of adhesiveness , the very notion of a memorandum implies that a text is not thoroughly adhesive . And ...
Página 97
... seemed wholly natural . As in the case of the picturesque , the work of Thomas Cole provides a pre - photographic point of reference for the evasion of history effected by American pastoralism . Although Cole spent much of his career at ...
... seemed wholly natural . As in the case of the picturesque , the work of Thomas Cole provides a pre - photographic point of reference for the evasion of history effected by American pastoralism . Although Cole spent much of his career at ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |