Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 80
Página 14
... represented by the " poem " of the " United States " and who also represented it , even as they died for it . In order to affirm the restoration of the Union , Whitman needed to transform such violence into ideo- logically productive ...
... represented by the " poem " of the " United States " and who also represented it , even as they died for it . In order to affirm the restoration of the Union , Whitman needed to transform such violence into ideo- logically productive ...
Página 97
... represented as belonging organically to the landscape . Yet the factory and railroad were more than signs of a mercantile - industrial economy ; additionally ( or , perhaps , identically ) they were signs of the forces of history . Both ...
... represented as belonging organically to the landscape . Yet the factory and railroad were more than signs of a mercantile - industrial economy ; additionally ( or , perhaps , identically ) they were signs of the forces of history . Both ...
Página 98
... represented in " The Pastoral State " ( which seems to be an allusion to Stonehenge ) is devoid of any ornamentation whatever , for the discourse of history has not yet entered human consciousness ( fig . 4 ) . This detail and others ...
... represented in " The Pastoral State " ( which seems to be an allusion to Stonehenge ) is devoid of any ornamentation whatever , for the discourse of history has not yet entered human consciousness ( fig . 4 ) . This detail and others ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |