Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 53
Página 2
... relation or ideological structure at stake ] force and holding power . That is , the outcome of war has substantiation not in an absolute inability of the defeated to contest the outcome but in a process of perception that allows ...
... relation or ideological structure at stake ] force and holding power . That is , the outcome of war has substantiation not in an absolute inability of the defeated to contest the outcome but in a process of perception that allows ...
Página 67
... relation between man and man into an apolitical relation between the individual and nature . The ground of representation , as always , is experience ; but the experience produced by nature , unlike that produced by war , is supposed to ...
... relation between man and man into an apolitical relation between the individual and nature . The ground of representation , as always , is experience ; but the experience produced by nature , unlike that produced by war , is supposed to ...
Página 102
... relations , it conserves the existing class system ; Gray's " Elegy , " for example , " compar [ es ] the social arrangement ... relation to the production of these images , aided this mobilization . VI . Photography as a Technology of ...
... relations , it conserves the existing class system ; Gray's " Elegy , " for example , " compar [ es ] the social arrangement ... relation to the production of these images , aided this mobilization . VI . Photography as a Technology of ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |