Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 14
Página 38
... referent ( 60–91 ) .19 Girard , whose work has already helped to orient my reading , also speaks of substitution as a case of resemblance when he identifies the mimetic function of ritual violence , which resembles and displaces ( and ...
... referent ( 60–91 ) .19 Girard , whose work has already helped to orient my reading , also speaks of substitution as a case of resemblance when he identifies the mimetic function of ritual violence , which resembles and displaces ( and ...
Página 141
... referent of the representation , but in the purely pictorial qualities of the image - appeals to the aesthetic of the picturesque . 99 The aesthetic value of a photographic portrait , according to Barnard , " is shewn in the depth and ...
... referent of the representation , but in the purely pictorial qualities of the image - appeals to the aesthetic of the picturesque . 99 The aesthetic value of a photographic portrait , according to Barnard , " is shewn in the depth and ...
Página 216
... referent by means of a physical connection , an icon by means of resemblance ( which need not be visual , as in Peirce's claim that algebraic equations are sometimes icons of physical laws ) , and a symbol by means of cultural ...
... referent by means of a physical connection , an icon by means of resemblance ( which need not be visual , as in Peirce's claim that algebraic equations are sometimes icons of physical laws ) , and a symbol by means of cultural ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |