Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 33
Página 44
... question by the violence of the war . The poem , the self , the concept ( if not the reality ) of the body are all tenuously cemented by the homoerotic moment - an element of the earlier poetics which Whitman cannot bring himself to ...
... question by the violence of the war . The poem , the self , the concept ( if not the reality ) of the body are all tenuously cemented by the homoerotic moment - an element of the earlier poetics which Whitman cannot bring himself to ...
Página 52
... question , declaring that the poet ought not dramatize repulsive scenes such as Medea slaying her children because “ anything that you thus thrust upon my sight I discredit and revolt at " ( 71 ) . Insofar as Horace's remark is ...
... question , declaring that the poet ought not dramatize repulsive scenes such as Medea slaying her children because “ anything that you thus thrust upon my sight I discredit and revolt at " ( 71 ) . Insofar as Horace's remark is ...
Página 76
... question posed by elegiac con- vention — How shall mourning be represented ? —by figuring it as dissi- pation , as " death's outlet song " ( emphasis added ) . The formal structure of the poem - the very question of mourning itself ...
... question posed by elegiac con- vention — How shall mourning be represented ? —by figuring it as dissi- pation , as " death's outlet song " ( emphasis added ) . The formal structure of the poem - the very question of mourning itself ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |