Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 25
Página 28
... present , on different levels , and yet American institutions are the only source of authority . Another editorial represents this reciprocating substitution in a slightly different way , and more overtly assumes an equivalence between ...
... present , on different levels , and yet American institutions are the only source of authority . Another editorial represents this reciprocating substitution in a slightly different way , and more overtly assumes an equivalence between ...
Página 89
... present , the picturesque assured the middle and upper classes that the English countryside remained as it had always been , regardless of economic transformations . In nineteenth - century America , the version of the picturesque in ...
... present , the picturesque assured the middle and upper classes that the English countryside remained as it had always been , regardless of economic transformations . In nineteenth - century America , the version of the picturesque in ...
Página 202
... present scene in which the aquarium building , now boarded up , " stands / in a Sahara of snow . " The landscape in which the poet now finds himself is unnatural , animated by " yellow dinosaur steamshovels " enclosed in the " cage " of ...
... present scene in which the aquarium building , now boarded up , " stands / in a Sahara of snow . " The landscape in which the poet now finds himself is unnatural , animated by " yellow dinosaur steamshovels " enclosed in the " cage " of ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |