Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 32
Página 88
... mode of representation that “ merely makes you see " rather than think or feel , to one that produced the moral effect of " communion with God through a contemplation of the forms of nature , " Cole came to emphasize the wildness of the ...
... mode of representation that “ merely makes you see " rather than think or feel , to one that produced the moral effect of " communion with God through a contemplation of the forms of nature , " Cole came to emphasize the wildness of the ...
Página 96
... mode , which Marx claims constructed an idealized image of America as early as Shakespeare's The Tempest and Michael Drayton's " To the Virginian Voyage , " was still available in the nineteenth century as a mediating category that ...
... mode , which Marx claims constructed an idealized image of America as early as Shakespeare's The Tempest and Michael Drayton's " To the Virginian Voyage , " was still available in the nineteenth century as a mediating category that ...
Página 110
... mode of visual representation , and the use of visual representation as a technology of appropriation . Within the aesthetic context of organicist realism , the conventions of the pastoral mode came to be employed to read the ...
... mode of visual representation , and the use of visual representation as a technology of appropriation . Within the aesthetic context of organicist realism , the conventions of the pastoral mode came to be employed to read the ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |