Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 16
Página 77
... idyllic ideology , as encoded in American geography , to legitimate the outcome of the war and provide a vision of the future . 3. Photography and the Scene of History WHITMAN , saturated 77 " THE REAL WAR WILL NEVER GET IN THE BOOKS "
... idyllic ideology , as encoded in American geography , to legitimate the outcome of the war and provide a vision of the future . 3. Photography and the Scene of History WHITMAN , saturated 77 " THE REAL WAR WILL NEVER GET IN THE BOOKS "
Página 164
... legitimate instance of the violation of human bodies was conveyed , contemporarily , by the aesthetic forms most ... legitimacy to the ideology inscribed therein ( for even obviously staged images such as Barnard's " Ruins in Charleston ...
... legitimate instance of the violation of human bodies was conveyed , contemporarily , by the aesthetic forms most ... legitimacy to the ideology inscribed therein ( for even obviously staged images such as Barnard's " Ruins in Charleston ...
Página 219
... legitimate the existing class system and power structure , include religion , the educational system , the family , the political process , the media , and " culture " ( literature , art , and the like ) ( 136–37 ) . These apparatuses ...
... legitimate the existing class system and power structure , include religion , the educational system , the family , the political process , the media , and " culture " ( literature , art , and the like ) ( 136–37 ) . These apparatuses ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |