Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 68
Página 88
... landscape painting into high art , capable of producing the moral effect of the sublime , " in order to justify its consideration in the same category with history painting " ( Powell , " Picturesque , ” 116 ) . In seeking this goal ...
... landscape painting into high art , capable of producing the moral effect of the sublime , " in order to justify its consideration in the same category with history painting " ( Powell , " Picturesque , ” 116 ) . In seeking this goal ...
Página 90
... landscape . Cooper argues that , unlike European landscapes where we see " ample pages of the history of the country and the character of its people , " the American land bears no important traces of history ( Putnam , ss ) . Thus we ...
... landscape . Cooper argues that , unlike European landscapes where we see " ample pages of the history of the country and the character of its people , " the American land bears no important traces of history ( Putnam , ss ) . Thus we ...
Página 124
... landscape is the center of attention , marginalizing the dead . Gardner's texts repeatedly reinforce the pastoralism of his images by suggesting that the land itself possesses a restorative power ; where there were once earthwork ...
... landscape is the center of attention , marginalizing the dead . Gardner's texts repeatedly reinforce the pastoralism of his images by suggesting that the land itself possesses a restorative power ; where there were once earthwork ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |