Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 16
Página 73
... labor could be removed from this site of Union by a plan of compensated emancipation followed by colonization ; this ... labor , Lincoln describes this aesthetic : No other human occupation opens so wide a field for the profitable and ...
... labor could be removed from this site of Union by a plan of compensated emancipation followed by colonization ; this ... labor , Lincoln describes this aesthetic : No other human occupation opens so wide a field for the profitable and ...
Página 135
... labor ( is it free or slave ? ) is juxtaposed , in the image , with the even less stable sign of the violated body . The signification of both is anchored by the power structure that emerged after the war , legitimated by its result ...
... labor ( is it free or slave ? ) is juxtaposed , in the image , with the even less stable sign of the violated body . The signification of both is anchored by the power structure that emerged after the war , legitimated by its result ...
Página 217
... labor is not the only possible sign that a landscape painter has evaded the conditions of history . John Barrell's analysis of the representation of the rural poor in English landscape painting from 1730 to 1840 suggests that the ...
... labor is not the only possible sign that a landscape painter has evaded the conditions of history . John Barrell's analysis of the representation of the rural poor in English landscape painting from 1730 to 1840 suggests that the ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |