Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 3
Página 25
... foreign war " in which the enemy is a guilty victim ( Violence , 249 ) . Girard's analysis is relevant here because Christian narratives of sacrificial violence were often mobilized to produce the meaning of the Civil War . For example ...
... foreign war " in which the enemy is a guilty victim ( Violence , 249 ) . Girard's analysis is relevant here because Christian narratives of sacrificial violence were often mobilized to produce the meaning of the Civil War . For example ...
Página 26
... foreign power bent on imperial conquest . Thus , the violence of the Civil War could not fulfill its supposed unifying function , because of disagree- ment over what constituted unity and over how many societies could have been unified ...
... foreign power bent on imperial conquest . Thus , the violence of the Civil War could not fulfill its supposed unifying function , because of disagree- ment over what constituted unity and over how many societies could have been unified ...
Página 55
... foreign tongue , turning helplessly to dictionaries and author- ities . How can I tell you ? -I put many things on record that you will not understand at first - perhaps not in a year - but they must be ( are to be ) understood . ( AP ...
... foreign tongue , turning helplessly to dictionaries and author- ities . How can I tell you ? -I put many things on record that you will not understand at first - perhaps not in a year - but they must be ( are to be ) understood . ( AP ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |