Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 54
Página 53
... experience , words for which are deferred indefinitely ( “ not yet ” ) . Despite ( perhaps because of ) this temporal gap between experience and formal representational structures , Whitman calls for a peculiarly Amer- ican realignment ...
... experience , words for which are deferred indefinitely ( “ not yet ” ) . Despite ( perhaps because of ) this temporal gap between experience and formal representational structures , Whitman calls for a peculiarly Amer- ican realignment ...
Página 55
... experience as the ground of representation . This move shifts the burden of representational re- sponsibility onto the reader . Those who have not experienced the Civil War can thus be supposed to embody the reason why " the real war ...
... experience as the ground of representation . This move shifts the burden of representational re- sponsibility onto the reader . Those who have not experienced the Civil War can thus be supposed to embody the reason why " the real war ...
Página 56
... experience that can be solidified into a single representational paradigm . Ideologically this entails , according to Whit- man , the " necessity and centrality of Oneness - the national identity power — the sovereign Union , relentless ...
... experience that can be solidified into a single representational paradigm . Ideologically this entails , according to Whit- man , the " necessity and centrality of Oneness - the national identity power — the sovereign Union , relentless ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |