Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 18
Página 80
... daguerreotype that would change its image to show what a subject was doing at any given moment ( Rudisill , 218–19 ) . In contrast to the popular tendency to invest the daguerreotype with life , Emerson found in its image " a portrait ...
... daguerreotype that would change its image to show what a subject was doing at any given moment ( Rudisill , 218–19 ) . In contrast to the popular tendency to invest the daguerreotype with life , Emerson found in its image " a portrait ...
Página 81
... daguerreotype portraits ought to be affixed to gravestones , because " the green hillocks of the dead " would be more cheerful places if visitors could see " the living representative of the sleeper " on every stone ( " Daguerreotypes ...
... daguerreotype portraits ought to be affixed to gravestones , because " the green hillocks of the dead " would be more cheerful places if visitors could see " the living representative of the sleeper " on every stone ( " Daguerreotypes ...
Página 86
... DAGUERREOTYPE is not merely an instrument which serves to draw Nature ; on the contrary it is a chemical and physical process which gives her the power to reproduce herself ” ( 13 ) . As in Talbot's theory , nature is conceived as the ...
... DAGUERREOTYPE is not merely an instrument which serves to draw Nature ; on the contrary it is a chemical and physical process which gives her the power to reproduce herself ” ( 13 ) . As in Talbot's theory , nature is conceived as the ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |