Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 29
Página 139
... cultural power probably provided a more satisfying ending for the Northern Unionist than any allusion to Johnston's surrender : the great symbols of Lee and Appomattox were outside the sphere of Sherman's and Barnard's operations ...
... cultural power probably provided a more satisfying ending for the Northern Unionist than any allusion to Johnston's surrender : the great symbols of Lee and Appomattox were outside the sphere of Sherman's and Barnard's operations ...
Página 141
... cultural value of photography inheres not so much in its unique , apparently unmediated relation to the referent of the representation , but in the purely pictorial qualities of the image - appeals to the aesthetic of the picturesque ...
... cultural value of photography inheres not so much in its unique , apparently unmediated relation to the referent of the representation , but in the purely pictorial qualities of the image - appeals to the aesthetic of the picturesque ...
Página 216
... cultural convention other than resemblance ( 2 : 156-73 ) . Thus a photograph is both an index , in its material origin , and an icon , linked to its referent by means of a structure of detailed visual resemblance . Yet a photograph can ...
... cultural convention other than resemblance ( 2 : 156-73 ) . Thus a photograph is both an index , in its material origin , and an icon , linked to its referent by means of a structure of detailed visual resemblance . Yet a photograph can ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |