Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 17
Página 138
... album is archival rather than narrative . The ar- rangement of images constructs relatively few historical relationships and continuities . Only rarely in the Sketch Book does the " event " that dictates the inclusion of a particular ...
... album is archival rather than narrative . The ar- rangement of images constructs relatively few historical relationships and continuities . Only rarely in the Sketch Book does the " event " that dictates the inclusion of a particular ...
Página 139
... album shows the extent to which the composition of the photographs derives from the contemporary aesthetic of the picturesque . Barnard gives us broken trees and ruined buildings and invites the kind of contemplative reverie that these ...
... album shows the extent to which the composition of the photographs derives from the contemporary aesthetic of the picturesque . Barnard gives us broken trees and ruined buildings and invites the kind of contemplative reverie that these ...
Página 140
... album in different , if not precisely opposite , historiographical directions . Thus finally , in spite of its narrative structure , the volume emerges as an important example of the American picturesque . As a representation of the war ...
... album in different , if not precisely opposite , historiographical directions . Thus finally , in spite of its narrative structure , the volume emerges as an important example of the American picturesque . As a representation of the war ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |