Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 42
Página 165
Poetry, Photography, and the Crisis of the Union Timothy Sweet. 6. Melville's Battle - Pieces as a Trace of War THE TITLE of Melville's Battle - Pieces and Aspects of the War ( 1866 ) alludes to a representational problem by inviting us ...
Poetry, Photography, and the Crisis of the Union Timothy Sweet. 6. Melville's Battle - Pieces as a Trace of War THE TITLE of Melville's Battle - Pieces and Aspects of the War ( 1866 ) alludes to a representational problem by inviting us ...
Página 222
... Melville's Battle - Pieces as a Trace of War 1. Robert Penn Warren points out that in the preface , Melville " I seem says , to have but placed ” —not “ I have . . . but placed " ; and his statement is , finally , an affirmation of the ...
... Melville's Battle - Pieces as a Trace of War 1. Robert Penn Warren points out that in the preface , Melville " I seem says , to have but placed ” —not “ I have . . . but placed " ; and his statement is , finally , an affirmation of the ...
Página 224
... Melville adheres to a degree of regularity in form remarkable for him " ( 215 ) . Gail Coffler claims that Melville's " theory of art and his artistic method [ in Battle - Pieces ] are finely illustrated in the theme and form " of this ...
... Melville adheres to a degree of regularity in form remarkable for him " ( 215 ) . Gail Coffler claims that Melville's " theory of art and his artistic method [ in Battle - Pieces ] are finely illustrated in the theme and form " of this ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |