Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 5
Página 25
... Confederacy did not exist , and that those who aligned themselves with this nonexistent government were merely rebellious Americans - conflicted with this structural re- quirement of ritual sacrifice . According to Lincoln's policy ...
... Confederacy did not exist , and that those who aligned themselves with this nonexistent government were merely rebellious Americans - conflicted with this structural re- quirement of ritual sacrifice . According to Lincoln's policy ...
Página 105
... Confederacy came to embrace the position that war was the only way to resolve questions of political representation and control of the American land . This position required the transfor- mation of violence into ideological signs . When ...
... Confederacy came to embrace the position that war was the only way to resolve questions of political representation and control of the American land . This position required the transfor- mation of violence into ideological signs . When ...
Página 210
... Confederacy . William Lloyd Garrison extends the metaphor in describing their threat to the body politic of the Union : " I think that this bellowing , bullying , treasonable party at the North has , after all , but very little left ...
... Confederacy . William Lloyd Garrison extends the metaphor in describing their threat to the body politic of the Union : " I think that this bellowing , bullying , treasonable party at the North has , after all , but very little left ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |