Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 páginas |
Dentro del libro
Resultados 1-3 de 15
Página 116
... Antietam , exhibited at his New York gallery in October 1862 , included the first photographic representations of corpses on the battlefield ever seen by the American ( or any other ) public.13 Journalists paid more attention to these ...
... Antietam , exhibited at his New York gallery in October 1862 , included the first photographic representations of corpses on the battlefield ever seen by the American ( or any other ) public.13 Journalists paid more attention to these ...
Página 219
... Antietam documents this military presence , showing a row of four corpses arranged beneath a tree in the left middle ground and a group of soldiers with picks and shovels in the right middle ground ( Frassanito , Antietam , 145 ) . 8 ...
... Antietam documents this military presence , showing a row of four corpses arranged beneath a tree in the left middle ground and a group of soldiers with picks and shovels in the right middle ground ( Frassanito , Antietam , 145 ) . 8 ...
Página 220
... Antietam series to " Brady " in order to reflect the contemporary perception . Frassanito's analysis of the photographs from Antietam demonstrates that this series was made not by Brady , who was never near Antietam , but by Gardner and ...
... Antietam series to " Brady " in order to reflect the contemporary perception . Frassanito's analysis of the photographs from Antietam demonstrates that this series was made not by Brady , who was never near Antietam , but by Gardner and ...
Contenido
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
adhesiveness aesthetic American appears argues army attempt Barnard battle becomes body body politic Civil Civil War claims conventions corpse critical cultural dead death describes Drum-Taps early economic edition effect embodiment especially example exchange experience face fact Federal field figure finds force function Gardner's genre Give Grass ground harmony Harper's human ideal ideological important individual land landscape Leaves legitimate less Lincoln lines living means Melville Memoranda memory metaphor military mode narrative nature never Northern object organic painting pastoral photographic picturesque plate poem poet poetic political portrait position possible present problem produced proposed question referent relation remains representation represented response restorative rhetoric scene seems sense Sherman's shows significant single Sketch Book soldiers South Southern structure suggests traces trope Union violence Whitman wounded
Referencias a este libro
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Vista previa limitada - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Vista de fragmentos - 1996 |