How We WorkMarla Morris, Mary Aswell Doll, William F. Pinar P. Lang, 1999 - 279 páginas How We Work is a collection of essays by writers from across the disciplines on the ways they produce work. Each writer offers a description of the processes and quirks of putting thoughts into form. Some of the essays are humorous, confessing to the ways writers confront the terror of the blank page. Others are helpful, offering hints and analyses. All give personal reflection on how creating is both horizontal and vertical, involving the writer with places, sensual experiences, and other bodies, as well as with other parts of the self. Deliberately interdisciplinary and multicultural, this collection contains the work of curriculum theorists, fiction writers, poets, musicians, and professors of mathematics, English, philosophy, and women's studies. We hope to encourage readers to become more aware of their own creative potential by reading these essays. |
Dentro del libro
Resultados 1-3 de 13
Página 12
... arm . Nietzsche is ruining my arm . " Anguished memory imprisons the consciousness it should be liberating " ( Langer , p . 34 ) . It's not Nietzsche who is ruining me ; the real problem is memory . ... The ruin was gradual . I picked ...
... arm . Nietzsche is ruining my arm . " Anguished memory imprisons the consciousness it should be liberating " ( Langer , p . 34 ) . It's not Nietzsche who is ruining me ; the real problem is memory . ... The ruin was gradual . I picked ...
Página 35
... the beautiful white sculpture of the creature is laid out before her , she sits by the fire and thinks about what song she will sing . And when she is sure , she stands over the criatura , raises her arms over David W. Jardine 35.
... the beautiful white sculpture of the creature is laid out before her , she sits by the fire and thinks about what song she will sing . And when she is sure , she stands over the criatura , raises her arms over David W. Jardine 35.
Página 110
... arms ; his head , of which only the front is free of the stone , is thrown back on his right shoulder as a result of the tension the struggle demands , and his neck muscles and tendons are stetched and tensed . His left arm remains ...
... arms ; his head , of which only the front is free of the stone , is thrown back on his right shoulder as a result of the tension the struggle demands , and his neck muscles and tendons are stetched and tensed . His left arm remains ...
Contenido
The Web and the Work | 1 |
Curriculum as Musical Text | 11 |
The Fire Sermon | 19 |
Derechos de autor | |
Otras 11 secciones no mostradas
Términos y frases comunes
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