The Victorians and the Visual ImaginationCambridge University Press, 2000 M08 28 - 427 páginas This innovative, interdisciplinary study explores the Victorians' attitudes towards sight. It draws on writers as diverse as George Eliot, Elizabeth Barrett Browning and Rudyard Kipling as well as pre-Raphaelite and realist painters including Millais, Burne-Jones, William Powell Frith and Whistler, and a host of Victorian scientists, cultural commentators and art critics. Topics discussed include blindness, memory, hallucination, dust, and the importance of the horizon--a dazzling array of subjects linked together by the operations of the eye and brain. This richly illustrated book will appeal to anyone studying Victorian culture. |
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Página i
... numerous articles on Victorian and twentieth - century fiction , painting and cultural history and contributes regularly to pro- grammes on BBC Radio 3 and 4 . The Victorians and the Visual Imagination Kate Flint CAMBRIDGE UNIVERSITY.
... numerous articles on Victorian and twentieth - century fiction , painting and cultural history and contributes regularly to pro- grammes on BBC Radio 3 and 4 . The Victorians and the Visual Imagination Kate Flint CAMBRIDGE UNIVERSITY.
Página xiii
... painter's stool in the left foreground . Although we do not see the work in progress , we can guess , from the fact ... painting in this way is not to wander too far from conventional Victorian modes of reading pictures , trans- lating ...
... painter's stool in the left foreground . Although we do not see the work in progress , we can guess , from the fact ... painting in this way is not to wander too far from conventional Victorian modes of reading pictures , trans- lating ...
Página xiv
... Painting , 1878–1910 ' , and ghostly remnants of this thesis linger on in a couple of the chapters . My warm thanks are due to Christopher Butler , my main supervisor ; to Alan Bowness , who first suggested that I write on late ...
... Painting , 1878–1910 ' , and ghostly remnants of this thesis linger on in a couple of the chapters . My warm thanks are due to Christopher Butler , my main supervisor ; to Alan Bowness , who first suggested that I write on late ...
Página 2
... painting and fiction of the period , establishing a materiality , a circumstantiality which in turn becomes imbricated with interpretive resonances for both con- temporary and subsequent commentators who acknowledge the degree to which ...
... painting and fiction of the period , establishing a materiality , a circumstantiality which in turn becomes imbricated with interpretive resonances for both con- temporary and subsequent commentators who acknowledge the degree to which ...
Página 5
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Términos y frases comunes
aesthetic art critic artist beauty Blind Girl body Cambridge University Press century chapter Charles Charlotte Brontë Clarendon Press colour contemporary cultural Daniel Deronda Dickens dust E. T. Cook English Essays exhibition experience fact fiction figure Frith G. H. Lewes gaze George Eliot glacier hallucination Henry Henry Mayhew History horizon human Ibid idea images imagination interpretation invisible James John Everett John Everett Millais John Ruskin John Tyndall knowledge language Lewes Lifted Veil light literary Literature London Longmans looking memory mental metaphor Middlemarch Millais Millais's mind narrative nature nineteenth nineteenth-century novel object Oil on canvas optical Oxford University Press Painters painting particular Penguin perception Physiology picture poem poetry Pre-Raphaelite representation Review Routledge Royal Academy scientific seen sense sight social spectator story suggests Sully surface Tate Gallery theory things tion trans visible vision visual vols whilst Whistler William William Powell Frith woman writing wrote York
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Referencias a este libro
Vanities of the Eye: Vision in Early Modern European Culture Stuart Clark Sin vista previa disponible - 2007 |