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3 Or else partake my flames.

(I care not whether), And so in mutual names,

O Love, burn both together.

OUT OF THE ITALIAN.

WOULD any one the true cause find
How Love came nak'd, a boy, and blind?
"Tis this: list'ning one day too long

To th' syrens in my mistress' song,
The ecstasy of a delight

So much o'er-mast'ring all his might,

To that one sense made all else thrall,

And so he lost his clothes, eyes, heart, and all.

ON THE FRONTISPIECE OF ISAACSON'S
CHRONOLOGY EXPLAINED.

IF with distinctive eye and mind you look
Upon the front, you see more than one book.
Creation is God's book, wherein he writ
Each creature, as a letter filling it.
History is Creation's book, which shows
To what effects the series of it goes.

Chronology's the book of History, and bears

The just account of days, and months, and years.
But Resurrection in a later press,

And New Edition is the sum of these:

The language of these books had all been one,
Had not th' aspiring Tower of Babylon

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Confused the tongues, and in a distance hurl'd
As far the speech, as men, o' th' new-fill'd world.
Set, then, your eyes in method, and behold
Time's emblem, Saturn; who, when store of gold
Coin'd the first age, devour'd that birth he fear'd,
Till History, Time's eldest child, appear'd,
And, phoenix-like, in spite of Saturn's rage.
Forced from her ashes heirs in ev'ry age;
From th' rising sun, obtaining by just suit
A spring's engender, and an autumn's fruit;
Who in those volumes, at her motion penn'd,
Unto Creation's Alpha doth extend.
Again ascend, and view Chronology,
By optic skill pulling far History
Nearer; whose hand the piercing eagle's eye
Strengthens to bring remotest objects nigh;
Under whose feet you see the setting sun,
From the dark gnomon, o'er her volumes run,
Drown'd in eternal night, never to rise,
Till Resurrection show it to the eyes

Of earth-worn men, and her shrill trumpet's sound
Affright the bones of mortals from the ground:
The columns both are crown'd with either sphere,
To show Chronology and Hist'ry bear
No other culmen than the double art,
Astronomy, geography impart.

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OR THUS.

LET hoary Time's vast bowels be the grave
To what his bowels birth and being gave;
Let Nature die, and (phoenix-like) from death
Revived Nature take a second breath;

If on Time's right hand sit fair History,
If, from the seed of empty ruin, she
Can raise so fair an harvest, let her be
Ne'er so far distant, yet Chronology
(Sharp-sighted as the eagle's eye, that can
Out-stare the broad-beam'd day's meridian)
Will have a perspicil to find her out,

And, through the night of error and dark doubt, Discern the dawn of truth's eternal ray,

As when the rosy morn buds into day.

Now that Time's empire might be amply fill'd,
Babel's bold artists strive (below) to build
Ruin a temple, on whose fruitful fall
History rears her pyramids more tall

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Than were th' Egyptian (by the life these give
Th' Egyptian pyramids themselves must live); 20
On these she lifts the world, and on their base
Shows the two terms and limits of Time's race:
That the Creation is, the Judgment this;
That the world's morning, this her midnight is.

AN EPITAPH UPON MR ASHTON, A CON-
FORMABLE CITIZEN.

THE modest front of this small floor,
Believe me, reader, can say more
Than many a braver marble can,
'Here lies a truly honest man;'
One whose conscience was a thing
That troubled neither church nor king;
One of those few that in this town
Honour all preachers, hear their own.

Sermons he heard, yet not so many
As left no time to practise any.
He heard them rev'rendly, and then
His practice preach'd them o'er again.
His parlour-sermons rather were
Those to the eye than to the ear.
His prayers took their price and strength
Not from the loudness nor the length.
He was a Protestant at home,

Not only in despite of Rome:
He loved his father, yet his zeal
Tore not off his mother's veil.

To th' church he did allow her dress,
True beauty to true holiness.

Peace, which he loved in life, did lend
Her hand to bring him to his end:
When Age and Death call'd for the score,
No surfeits were to reckon for;

Death tore not (therefore), but sans strife
Gently untwined his thread of life.

What remains then, but that thou
Write these lines, reader, in thy brow,
And by his fair example's light,
Burn in thy imitation bright.

So while these lines can but bequeath
A life perhaps unto his death,
His better epitaph shall be,
Iis life still kept alive in thee.

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OUT OF CATULLUS.

COME and let us love, my dear,
Let us love, and never fear

What the sourest fathers say:
Brightest Sol that dies to-day
Lives again as blithe to-morrow;
But if we dark sons of sorrow
Set, oh then, how long a night
Shuts the eyes of our short light!
Then let am'rous kisses dwell
On our lips, begin and tell

A thousand and a hundred score,
A hundred and a thousand more,
Till another thousand smother
That, and that wipe off another.
Thus at last when we have number'd
Many a thousand, many a hundred,
We'll confound the reck'ning quite,
And lose ourselves in wild delight:
While our joys so multiply,

As shall mock the envious eye.

WISHES TO HIS SUPPOSED MISTRESS.

1 WHOE'ER she be,

That not impossible she

That shall command my heart and me;

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3 Till that ripe birth

Of studied Fate stand forth,

And teach her fair steps to our earth;

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