English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 105
... thought ; but this hinders not that sudden thought may be represented in verse , since those thoughts are such as must be higher than nature can raise them without premeditation , especially to a continuance of them , even out of verse ...
... thought ; but this hinders not that sudden thought may be represented in verse , since those thoughts are such as must be higher than nature can raise them without premeditation , especially to a continuance of them , even out of verse ...
Página 305
... thought some influence Their ravished spirits did possess . 110 115 120 125 There is nothing in these lines ( with ... thought and feeling . The effect , at its best , is far less arti- 140 ficial than that of an ode by Gray . And ...
... thought some influence Their ravished spirits did possess . 110 115 120 125 There is nothing in these lines ( with ... thought and feeling . The effect , at its best , is far less arti- 140 ficial than that of an ode by Gray . And ...
Página 318
... thought is fanciful or superficial the man being as immortal as the bird , ' etc. That the thought is fallaci- ous witnesses , of course , to the intensity of the wish that fathered 235 it . Keats entertains at one and the same time the ...
... thought is fanciful or superficial the man being as immortal as the bird , ' etc. That the thought is fallaci- ous witnesses , of course , to the intensity of the wish that fathered 235 it . Keats entertains at one and the same time the ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed Paradise Lost passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write