English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 177
... metre ; for , as it may be 575 proper to remind the Reader , the distinction of metre is regular and uniform , and not , like that which is produced by what is usually called POETIC DICTION , arbitrary , and subject to infinite caprices ...
... metre ; for , as it may be 575 proper to remind the Reader , the distinction of metre is regular and uniform , and not , like that which is produced by what is usually called POETIC DICTION , arbitrary , and subject to infinite caprices ...
Página 216
... metre . This I would trace to the balance in the mind effected by that spontaneous effort which strives to hold in check the workings of passion . It might be easily explained likewise in what manner this salutary antagon- 895 ism is ...
... metre . This I would trace to the balance in the mind effected by that spontaneous effort which strives to hold in check the workings of passion . It might be easily explained likewise in what manner this salutary antagon- 895 ism is ...
Página 219
... Metre in itself is simply a stimulant of the attention , and therefore excites the question : Why is the attention to be thus stimulated ? Now the question cannot be answered by the plea- sure of the metre itself : for this we have ...
... Metre in itself is simply a stimulant of the attention , and therefore excites the question : Why is the attention to be thus stimulated ? Now the question cannot be answered by the plea- sure of the metre itself : for this we have ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed Paradise Lost passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write