English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 233
... manner in 315 which it is worn . A majestic form and graceful motions will express themselves through the most barbarous and tasteless costume . Few poets of the highest class have chosen to exhibit the beauty of their conceptions in ...
... manner in 315 which it is worn . A majestic form and graceful motions will express themselves through the most barbarous and tasteless costume . Few poets of the highest class have chosen to exhibit the beauty of their conceptions in ...
Página 269
... manner and style . Both of these , the substance and matter on the one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are 340 asked to define this mark and accent in ...
... manner and style . Both of these , the substance and matter on the one hand , the style and manner on the other , have a mark , an accent , of high beauty , worth , and power . But if we are 340 asked to define this mark and accent in ...
Página 283
... manner , but not the accent or the poetic virtue of the highest masters . His genuine criticism of life , when the sheer poet in him speaks , is ironic ; it is not- ' Thou Power Supreme , whose mighty scheme These woes of mine fulfil ...
... manner , but not the accent or the poetic virtue of the highest masters . His genuine criticism of life , when the sheer poet in him speaks , is ironic ; it is not- ' Thou Power Supreme , whose mighty scheme These woes of mine fulfil ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed Paradise Lost passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write