English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 páginas |
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Página 135
... Shakespeare has no 160 heroes ; his scenes are occupied only by men , who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion : Even where the agency is super- natural the dialogue is ...
... Shakespeare has no 160 heroes ; his scenes are occupied only by men , who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion : Even where the agency is super- natural the dialogue is ...
Página 151
... Shakespeare opens a mine which contains gold 780 and diamonds in inexhaustible plenty , though clouded by incrustations , debased by impurities , and mingled with a mass of meaner minerals . It has been much disputed , whether Shakespeare ...
... Shakespeare opens a mine which contains gold 780 and diamonds in inexhaustible plenty , though clouded by incrustations , debased by impurities , and mingled with a mass of meaner minerals . It has been much disputed , whether Shakespeare ...
Página 366
... Shakespeare and Cato , Voltaire admits that the cold regularity of the latter cannot equal the ' gross but engaging irregularities ' of Shakespeare . 790 Jonson affirms in To the Memory of my beloved , the Author , the poem prefixed to ...
... Shakespeare and Cato , Voltaire admits that the cold regularity of the latter cannot equal the ' gross but engaging irregularities ' of Shakespeare . 790 Jonson affirms in To the Memory of my beloved , the Author , the poem prefixed to ...
Contenido
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Derechos de autor | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Vista de fragmentos - 1962 |
Términos y frases comunes
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed Paradise Lost passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write