Interpreting the Indian: Twentieth-century Poets and the Native AmericanUniversity of New Mexico Press, 1983 - 221 páginas Castro examines the growing interest by 20th century American poets in the rich tradition of Native American cultures, and their efforts to incorporate Native American themes into their works and personal lives. Beginning with a description of the role of early 20th century poets, anthologizers and popularizers to stimulate their contemporaries to consider the Indian relevance to American cultural identity, poetry and poetics, the author devotes separate chapters to Charles Olson, Jerome Rothenberg and Gary Snyder and to the works of Lew Sarrett and John Neihardt. Also considers such writers as Vachel Lindsay, William Carols Williams, and Hart Crane, who believed in the tradition as well. Concludes with a discussion of the works of Native American poets and critics such as Geary Hobson, Leslie Marmon Silko and Simon Ortiz. ISBN 0-8263-0672-1 : $22.50. |
Contenido
Early Translators of Indian Poetry | 3 |
Hart Cranes The Bridge | 55 |
Projective Verse and Postmodern | 107 |
Derechos de autor | |
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Interpreting the Indian: Twentieth-century Poets and the Native American Michael Castro Vista de fragmentos - 1983 |
Interpreting the Indian: Twentieth-century Poets and the Native American Michael Castro Sin vista previa disponible - 1991 |
Términos y frases comunes
American Grain American Indian American poetry American Rhythm anthology Austin Black Elk Speaks century ceremonial chants Charles Olson contemporary continent D. H. Lawrence dance Deloria dian earth edited Elk's essay ethnologists Ethnopoetics experience Gary Snyder Hart Crane Hobson holistic awareness Hopi human Ibid identity imagist important Indian consciousness Indian cultures Indian poetry interest interpreters Jerome Rothenberg John G Kingfishers land language Lindsay's literal literary living magical meaning mind modern myth Native American Native American Literature nature Navajo Neihardt ness original Pocahontas poem poem's poetic Press primitive Projective Verse published Rainbow reader reality relationship represented sacred Sarett savage Seneca sense Shaking the Pumpkin shaman Silko Sioux song sought stories suggests symbol Tedlock things tion total translation tradition tribal poetry tribes Turtle Island twentieth-century poets unity University Vachel Lindsay vision vocables Western William Carlos Williams Williams's words wrote York