Remembering Masculinity in Early Modern Florence

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Ashgate Publishing, Ltd., 2006 M01 1 - 194 páginas
From Pliny to Petrarch to Pope-Hennessy and beyond, many have understood the obvious connection between portraiture and commemorative practice. This book expands and nuances our understanding of Renaissance portraiture; the author shows it to be complexly generated within a discourse of male anxiety and pre-mortuary mourning. She argues that portraiture could defer memory loss or, at the very least, pictorially console the subject against his own potentially unmourned death. This book recognizes a socio-cultural anxiety - the fear not merely of death but also of being forgotten - and identifies a set of pictorial, literary and theoretical strategies consequently formulated to ensure memory. To explore this phenomenon, this interdisciplinary but fundamentally art historical project merges early modern visual culture and critical theories of the body.
 

Contenido

DISJECTA MEMBRA
9
Recuperative Narratives and Other Crutches
17
MNEMONIC VOICES
37
33697
50
THE WIDOWS CLEAVAGE
59
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Acerca del autor (2006)

Allison Levy is Assistant Professor of Art History at Wheaton College, USA.

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