The Cambridge History of American Literature: Volume 4, Nineteenth-Century Poetry 1800-1910Sacvan Bercovitch, Cyrus R. K. Patell Cambridge University Press, 1994 - 368 páginas This is the first complete narrative history of nineteenth-century American poetry. Barbara Packer explores the neoclassical and satiric forms mastered by the early Federalist poets; the creative reaches of once-celebrated, and still compelling, poets like Longfellow and Whittier; the distinctive lyric forms developed by Emerson and the Transcendentalists. Shira Wolosky provides a new perspective on the achievement of female poets of the period, as well as a close appreciation of African-American poets, including the collective folk authors of the Negro spirituals. She also illuminates the major works of the period, from Poe through Melville and Crane, to Whitman and Dickinson. The authors of this volume discuss this extraordinary literary achievement both in formal terms and in its sustained engagement with changing social and cultural conditions. In doing so they recover and elucidate American poetry of the nineteenth century for our twenty-first century pleasure, profit, and renewed study. |
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... cultural , the intellectual , and the aesthetic - and demonstrates a richer concept of authority in literary studies than is found in earlier accounts . THE CAMBRIDGE HISTORY OF AMERICAN LITERATURE The Cambridge History of The Cambridge ...
... cultural , the intellectual , and the aesthetic - and demonstrates a richer concept of authority in literary studies than is found in earlier accounts . THE CAMBRIDGE HISTORY OF AMERICAN LITERATURE The Cambridge History of The Cambridge ...
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... cultural , the intellectual , and the aesthetic – and demonstrates a richer concept of authority in literary studies than is found in earlier accounts . This volume is the first complete narrative history of nineteenth - century ...
... cultural , the intellectual , and the aesthetic – and demonstrates a richer concept of authority in literary studies than is found in earlier accounts . This volume is the first complete narrative history of nineteenth - century ...
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... cultural experience . Sometimes the story of a certain movement is retold from differ- ent perspectives , because the story requires a plural focus : as pertaining , for example , to the margins as well as to the mainstream , or as ...
... cultural experience . Sometimes the story of a certain movement is retold from differ- ent perspectives , because the story requires a plural focus : as pertaining , for example , to the margins as well as to the mainstream , or as ...
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... cultural norms . Especially important in this regard are the efforts of women poets in this period to recast feminine obligations to modesty and the private sphere . In the work of a broad range of now - forgotten or under - appreciated ...
... cultural norms . Especially important in this regard are the efforts of women poets in this period to recast feminine obligations to modesty and the private sphere . In the work of a broad range of now - forgotten or under - appreciated ...
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... cultural conflict , between South and North , was reflected in Poe's morbid hostility towards Longfellow's com- placent moral didacticism . Both poets , Wolosky points out , convey profound disappointment with the marginal place of ...
... cultural conflict , between South and North , was reflected in Poe's morbid hostility towards Longfellow's com- placent moral didacticism . Both poets , Wolosky points out , convey profound disappointment with the marginal place of ...
Contenido
reverence and ambition | 11 |
Neoclassicism comic and satiric verse | 17 |
Early narrative and lyric | 41 |
Transcendentalism | 87 |
JOHN GREENLEAF WHITTIER | 137 |
the claims of thetoric | 147 |
Modest claims | 155 |
Claiming the Bible | 200 |
Poetic languages | 248 |
Plural identities | 324 |
Walt Whitman the office of the poet | 362 |
Emily Dickinson the violence of the imagination | 427 |
Chronology 18001910 | 481 |
Bibliography | 534 |
540 | |
Términos y frases comunes
aesthetic Allston American culture American Poetry assert Barlow beauty becomes Bible Biblical body Bryant called central century Christian claims commitment Crane dead death dialect divine domestic Dunbar's economic Edgar Allan Poe emerges Emerson Emily Dickinson Emma Lazarus England English eternal experience female figure Frances Harper gender genteel George Moses Horton heart heaven Henry Wadsworth Longfellow hymns identity imagery imagination individual interpretation John Greenleaf Whittier Julia Ward language Lazarus Leaves of Grass literary literature Longfellow Lydia Sigourney Melville metaphysical modesty multiple nature nineteenth-century Poe's poem poem's poet poetic political President publishes redemption reflects religious remains represents rhetoric role Santayana seems selfhood sense sexual signified Sigourney Sigourney's slave slavery social Song sonnet soul speak specific sphere spiritual structure texts thee thou tradition typology verse vision voice Walt Whitman Whitman Whittier woman women words writing wrote