How to Distinguish the Saints in Art by Their Costumes, Symbols, and AttributesArt culture, 1925 - 168 páginas |
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Página 7
... placed in the church of the Carthusians at Villeneuve - lès - Avignon , on the altar of the Holy Trinity . First there shall be the form of Paradise , and in this Paradise shall be the Holy Trinity , and between Father and Son shall be ...
... placed in the church of the Carthusians at Villeneuve - lès - Avignon , on the altar of the Holy Trinity . First there shall be the form of Paradise , and in this Paradise shall be the Holy Trinity , and between Father and Son shall be ...
Página 11
... placed to capture the fancy of the " common herd " of unedu- cated converts , who could not help but exalt them from natural leaders into supernatural heroes . St. Adrian ( A.D. 290 ) , St. Agatha ( 251 ) , St. Barbara ( 303 ) , St ...
... placed to capture the fancy of the " common herd " of unedu- cated converts , who could not help but exalt them from natural leaders into supernatural heroes . St. Adrian ( A.D. 290 ) , St. Agatha ( 251 ) , St. Barbara ( 303 ) , St ...
Página 22
... placed upon the head of a Saint who bears other symbols of martyrdom , such as the Palm ( q . v . ) , it is generally an attribute of the royal rank of its wearer . This rule is not absolute , however , and in a votive picture of St ...
... placed upon the head of a Saint who bears other symbols of martyrdom , such as the Palm ( q . v . ) , it is generally an attribute of the royal rank of its wearer . This rule is not absolute , however , and in a votive picture of St ...
Página 23
... placed at the " crossing . " Then Jesus was placed upon it , but not nailed , and fully clothed . Then He was represented nailed , but alive with His eyes open . In the 10th century , He began to be depicted as dead , or at any rate ...
... placed at the " crossing . " Then Jesus was placed upon it , but not nailed , and fully clothed . Then He was represented nailed , but alive with His eyes open . In the 10th century , He began to be depicted as dead , or at any rate ...
Página 29
... placed beneath the feet of the Virgin Mary , with obvious meaning . In an old enamel by Godefroid de Claire in the Brussels Museum the serpent on the top of a column is the Brazen Serpent , with Moses on one side , holding the Tables of ...
... placed beneath the feet of the Virgin Mary , with obvious meaning . In an old enamel by Godefroid de Claire in the Brussels Museum the serpent on the top of a column is the Brazen Serpent , with Moses on one side , holding the Tables of ...
Otras ediciones - Ver todas
How to Distinguish the Saints in Art by Their Costumes, Symbols, and Attributes Arthur De Bles Vista de fragmentos - 1975 |
How to Distinguish the Saints in Art by Their Costumes, Symbols and Attributes Arthur de Bles Sin vista previa disponible - 2013 |
How to Distinguish the Saints in Art by Their Costumes, Symbols and Attributes Arthur de Bles Sin vista previa disponible - 2013 |
Términos y frases comunes
Adoration Ambrose Andrew Angelico angels Annunciation Anthony of Egypt Apostles Archangel artists attribute Augustine Augustinian Barbara bearing beautiful Benedict Benedictine Berlin Museum Bernardino of Siena Bishop Bologna Brescia canonised Catherine of Alexandria Cecilia century Christ Christian Church Coronation cross crown crucifix depicted devotional pictures Divine Doctor Dominican Dominick Elisabeth of Hungary emblem Emperor feet figure Fra Angelico Francis of Assisi Franciscan Giovanni Gospel Greek Gregory habit hand head hermit holding Holy Italian Jerome Jesus John the Baptist John the Evangelist Justina kneeling Lamb Latin legend lily Lord Lorenzo Louvre Madonna and Child Martyr martyrdom Mary Magdalene Master Metropolitan Museum mitre monastic monks Mother National Gallery Nicholas Nicholas of Myra nimbus Padua painted painter Palm patron Paul Peter Pietà Plate Pope portrayed Raphael represented robes Rome SAINTS IN ART Saviour Sebastian shown Siena sword symbol symbolises throne Trinity Uffizi Ursula Venice Academy Virgin Mary wears