How to Distinguish the Saints in Art by Their Costumes, Symbols, and AttributesArt culture, 1925 - 168 páginas |
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Página 12
... feet were to be hidden , and only the hands and face exposed . This rule was adhered to up till the time of Giotto , and we see in the Ma- donnas of Guido da Siena , Cimabue and Duccio exactly how the ruling was carried out . And ...
... feet were to be hidden , and only the hands and face exposed . This rule was adhered to up till the time of Giotto , and we see in the Ma- donnas of Guido da Siena , Cimabue and Duccio exactly how the ruling was carried out . And ...
Página 14
... feet , the other on her head . In this case the crown at her feet is an attribute of her royal rank , spurned by her in favor of the new Christian faith , while that on her head is the crown of martyrdom , a symbol . Simi- larly the ...
... feet , the other on her head . In this case the crown at her feet is an attribute of her royal rank , spurned by her in favor of the new Christian faith , while that on her head is the crown of martyrdom , a symbol . Simi- larly the ...
Página 22
... feet , or wearing a royal blue velvet robe strewn with golden fleur - de - lys , over his monastic habit , with a mitre and crozier , and a French royal crown lying on the ground at his feet . He is thus depicted in a picture in the ...
... feet , or wearing a royal blue velvet robe strewn with golden fleur - de - lys , over his monastic habit , with a mitre and crozier , and a French royal crown lying on the ground at his feet . He is thus depicted in a picture in the ...
Página 23
... feet were nailed together so that only three nails were employed , but in later times it became the rule of the Church to separate the feet , and use four nails . The DOVE is symbolic of several qualities , as well as an occasional ...
... feet were nailed together so that only three nails were employed , but in later times it became the rule of the Church to separate the feet , and use four nails . The DOVE is symbolic of several qualities , as well as an occasional ...
Página 24
... feet of St. Catherine of Alexandria , and also of the fruits near her head . Fig . 7. St. Hubert is generally portrayed in hunting- dress , before he became converted by the sight of the Hart bearing a crucifix between its antlers ...
... feet of St. Catherine of Alexandria , and also of the fruits near her head . Fig . 7. St. Hubert is generally portrayed in hunting- dress , before he became converted by the sight of the Hart bearing a crucifix between its antlers ...
Otras ediciones - Ver todas
How to Distinguish the Saints in Art by Their Costumes, Symbols, and Attributes Arthur De Bles Vista de fragmentos - 1975 |
How to Distinguish the Saints in Art by Their Costumes, Symbols and Attributes Arthur de Bles Sin vista previa disponible - 2013 |
How to Distinguish the Saints in Art by Their Costumes, Symbols and Attributes Arthur de Bles Sin vista previa disponible - 2013 |
Términos y frases comunes
Adoration Ambrose Andrew Angelico angels Annunciation Anthony of Egypt Apostles Archangel artists attribute Augustine Augustinian Barbara bearing beautiful Benedict Benedictine Berlin Museum Bernardino of Siena Bishop Bologna Brescia canonised Catherine of Alexandria Cecilia century Christ Christian Church Coronation cross crown crucifix depicted devotional pictures Divine Doctor Dominican Dominick Elisabeth of Hungary emblem Emperor feet figure Fra Angelico Francis of Assisi Franciscan Giovanni Gospel Greek Gregory habit hand head hermit holding Holy Italian Jerome Jesus John the Baptist John the Evangelist Justina kneeling Lamb Latin legend lily Lord Lorenzo Louvre Madonna and Child Martyr martyrdom Mary Magdalene Master Metropolitan Museum mitre monastic monks Mother National Gallery Nicholas Nicholas of Myra nimbus Padua painted painter Palm patron Paul Peter Pietà Plate Pope portrayed Raphael represented robes Rome SAINTS IN ART Saviour Sebastian shown Siena sword symbol symbolises throne Trinity Uffizi Ursula Venice Academy Virgin Mary wears