How to Distinguish the Saints in Art by Their Costumes, Symbols, and AttributesArt culture, 1925 - 168 páginas |
Dentro del libro
Resultados 1-5 de 38
Página 10
... a study in anatomy and foreshortening , and is lacking in reverence . Low right : This picture by Giovanni d'Alemagna and Antonio Vivarini is fully described on page 77 . THE WONDERFUL MADONNA OF THE CANON GEORGE VAN DER PAELE. ΙΟ.
... a study in anatomy and foreshortening , and is lacking in reverence . Low right : This picture by Giovanni d'Alemagna and Antonio Vivarini is fully described on page 77 . THE WONDERFUL MADONNA OF THE CANON GEORGE VAN DER PAELE. ΙΟ.
Página 15
... Mary is surrounded by St. John the Evangelist , St. Francis of Assisi , St. Bernardino of Siena , and St. George , while above her head to the right floats a blessing angel , and immediately above is a symbolic figure ,. 15.
... Mary is surrounded by St. John the Evangelist , St. Francis of Assisi , St. Bernardino of Siena , and St. George , while above her head to the right floats a blessing angel , and immediately above is a symbolic figure ,. 15.
Página 17
... GEORGE , HIS PATRON , WHO IS POLITELY RAISING HIS HELMET , WHILE OPPOSITE THIS PAIR STANDS ST . ERASMUS IN HIS ROBES AS BISHOP OF FORMIA , HOLDING IN HIS RIGHT HAND ONE OF THOSE CROZIERS WITH FIVE BLOOD - RED CARBUNCLES OR RUBIES ...
... GEORGE , HIS PATRON , WHO IS POLITELY RAISING HIS HELMET , WHILE OPPOSITE THIS PAIR STANDS ST . ERASMUS IN HIS ROBES AS BISHOP OF FORMIA , HOLDING IN HIS RIGHT HAND ONE OF THOSE CROZIERS WITH FIVE BLOOD - RED CARBUNCLES OR RUBIES ...
Página 19
... George . It is usually in the form of a pennon bearing a cross . ( Plate V , Fig . 6. ) The Book or GOSPEL , generally is an attribute , but in the hands of such learned saints as Catherine of Alexandria , or St. Augustine , it ...
... George . It is usually in the form of a pennon bearing a cross . ( Plate V , Fig . 6. ) The Book or GOSPEL , generally is an attribute , but in the hands of such learned saints as Catherine of Alexandria , or St. Augustine , it ...
Página 23
... George is almost always seen either fight- ing the Beast , or with it at or beneath his feet , dead . In many cases it represents opposition to the Chris- tian faith and so is overcome by St. George and St. Sylvester . As Sin it is that ...
... George is almost always seen either fight- ing the Beast , or with it at or beneath his feet , dead . In many cases it represents opposition to the Chris- tian faith and so is overcome by St. George and St. Sylvester . As Sin it is that ...
Otras ediciones - Ver todas
How to Distinguish the Saints in Art by Their Costumes, Symbols, and Attributes Arthur De Bles Vista de fragmentos - 1975 |
How to Distinguish the Saints in Art by Their Costumes, Symbols and Attributes Arthur de Bles Sin vista previa disponible - 2013 |
How to Distinguish the Saints in Art by Their Costumes, Symbols and Attributes Arthur de Bles Sin vista previa disponible - 2013 |
Términos y frases comunes
Adoration Ambrose Andrew Angelico angels Annunciation Anthony of Egypt Apostles Archangel artists attribute Augustine Augustinian Barbara bearing beautiful Benedict Benedictine Berlin Museum Bernardino of Siena Bishop Bologna Brescia canonised Catherine of Alexandria Cecilia century Christ Christian Church Coronation cross crown crucifix depicted devotional pictures Divine Doctor Dominican Dominick Elisabeth of Hungary emblem Emperor feet figure Fra Angelico Francis of Assisi Franciscan Giovanni Gospel Greek Gregory habit hand head hermit holding Holy Italian Jerome Jesus John the Baptist John the Evangelist Justina kneeling Lamb Latin legend lily Lord Lorenzo Louvre Madonna and Child Martyr martyrdom Mary Magdalene Master Metropolitan Museum mitre monastic monks Mother National Gallery Nicholas Nicholas of Myra nimbus Padua painted painter Palm patron Paul Peter Pietà Plate Pope portrayed Raphael represented robes Rome SAINTS IN ART Saviour Sebastian shown Siena sword symbol symbolises throne Trinity Uffizi Ursula Venice Academy Virgin Mary wears