Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 24
... whole frame of a man , and his whole countenance , and the variation of his voice sound like strings in a musical instrument , just as they are moved by the affections of the mind . For the tones of the voice , like musical chords , are ...
... whole frame of a man , and his whole countenance , and the variation of his voice sound like strings in a musical instrument , just as they are moved by the affections of the mind . For the tones of the voice , like musical chords , are ...
Página 106
... whole . I never heard a line in tragedy come from Betterton , wherein my judgment , my ear , and my imagination , were not fully satisfied ; which , since his time , I cannot equally say of any one actor whatsoever : not but it is ...
... whole . I never heard a line in tragedy come from Betterton , wherein my judgment , my ear , and my imagination , were not fully satisfied ; which , since his time , I cannot equally say of any one actor whatsoever : not but it is ...
Página 280
... whole . And beauty comes from gazing at the whole . So , in order to say of a work : It is Nature ! I must perceive this exact symmetry of all its relationships and this very beauty . So it is nature if a thing is so created that the ...
... whole . And beauty comes from gazing at the whole . So , in order to say of a work : It is Nature ! I must perceive this exact symmetry of all its relationships and this very beauty . So it is nature if a thing is so created that the ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York