Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
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Página 5
... voice . Most of the comments in Greek literature about acting or specific actors stressed the voice as characteristic of the effective actor . Aristotle defined acting as " the right management of the voice to express the various ...
... voice . Most of the comments in Greek literature about acting or specific actors stressed the voice as characteristic of the effective actor . Aristotle defined acting as " the right management of the voice to express the various ...
Página 196
... voice should be caressing , smooth , insinuating , mocking , bold , eager , tender , despairing . You should be able to ring the changes from the clarinet to the bugle . The lover's voice is not like the lawyer's voice . Iago has not the ...
... voice should be caressing , smooth , insinuating , mocking , bold , eager , tender , despairing . You should be able to ring the changes from the clarinet to the bugle . The lover's voice is not like the lawyer's voice . Iago has not the ...
Página 574
... voice , able to follow all the " windings of the lengthened oh , " is , of course , of great importance to the actress ; yet it would seem to me , from observing great players , that they achieve their most impressive results through de ...
... voice , able to follow all the " windings of the lengthened oh , " is , of course , of great importance to the actress ; yet it would seem to me , from observing great players , that they achieve their most impressive results through de ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York