Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 315
... rehearsals . What is important is that the imagination have enough material to begin working on . QUESTION : Aren't ... rehearsals - full - company rehearsals as well as run - throughs . QUESTION : What about picking up intonation ...
... rehearsals . What is important is that the imagination have enough material to begin working on . QUESTION : Aren't ... rehearsals - full - company rehearsals as well as run - throughs . QUESTION : What about picking up intonation ...
Página 488
... rehearsals , which , not excepting the dress - rehearsal , were all feeble and lifeless . I shall make only a brief explanatory note : the play was produced according to Fedotov's directions . The parts were handed out by him and not ...
... rehearsals , which , not excepting the dress - rehearsal , were all feeble and lifeless . I shall make only a brief explanatory note : the play was produced according to Fedotov's directions . The parts were handed out by him and not ...
Página 636
... rehearsals I'd get frightened and Kazan would say , " What's the matter ? " and I'd say , " They'll hate me . " And he'd say , " Every time you go down there and you get scared , get louder and nastier . " Even in performance , I used ...
... rehearsals I'd get frightened and Kazan would say , " What's the matter ? " and I'd say , " They'll hate me . " And he'd say , " Every time you go down there and you get scared , get louder and nastier . " Even in performance , I used ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York