Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
Resultados 1-3 de 81
Página 21
... practice of these actors ancient orators borrowed the principles governing voice and gesture in public de- livery . Centuries after , actors returned to the pages of Cicero and Quintilian to seek authoritative prescriptions for ...
... practice of these actors ancient orators borrowed the principles governing voice and gesture in public de- livery . Centuries after , actors returned to the pages of Cicero and Quintilian to seek authoritative prescriptions for ...
Página 249
... practice and training . There are at least two methods of obser- vation : the objective and the subjective method . For instance , take a box of matches and observe it analytically ; concentrate your attention on the content , the ...
... practice and training . There are at least two methods of obser- vation : the objective and the subjective method . For instance , take a box of matches and observe it analytically ; concentrate your attention on the content , the ...
Página 255
... practice on the edifice of the declamatory French style popular in the eighteenth century , the reforms of the Neubers and Gottsched soon went out of fashion . Their positive contribution lay in the attempt to play a literary and ...
... practice on the edifice of the declamatory French style popular in the eighteenth century , the reforms of the Neubers and Gottsched soon went out of fashion . Their positive contribution lay in the attempt to play a literary and ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York