Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
Resultados 1-3 de 92
Página 7
... poet . For the rhapsode ought to interpret the mind of the poet to his hearers , but how can he interpret him well unless he knows what he means ? All this is greatly to be envied . ION : Very true , Socrates ; interpretation has ...
... poet . For the rhapsode ought to interpret the mind of the poet to his hearers , but how can he interpret him well unless he knows what he means ? All this is greatly to be envied . ION : Very true , Socrates ; interpretation has ...
Página 8
... poets are not in their right mind when they are composing their beautiful strains ; but when falling under the power of music and metre they are inspired and possessed .... For the poet is a light and winged and holy thing , and there ...
... poets are not in their right mind when they are composing their beautiful strains ; but when falling under the power of music and metre they are inspired and possessed .... For the poet is a light and winged and holy thing , and there ...
Página 262
... poet is to injure both . The actor loses heart , and the poet is made self - confident . Above all , it is the actor who may in this particular demand the greatest sever- ity and impartiality . The justification of the poet may be ...
... poet is to injure both . The actor loses heart , and the poet is made self - confident . Above all , it is the actor who may in this particular demand the greatest sever- ity and impartiality . The justification of the poet may be ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York