Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Dentro del libro
Resultados 1-3 de 83
Página 316
... performance really begins to get boring . But in a good performance , one that has been well rehearsed and in which everyone is on top of his part , something altogether new is added . There are distinct differences in the way one ...
... performance really begins to get boring . But in a good performance , one that has been well rehearsed and in which everyone is on top of his part , something altogether new is added . There are distinct differences in the way one ...
Página 402
... performance - they are the living canvas upon which one hopes to paint the fin- ished portrait which one has envisaged . These fellow actors , these audiences , with their shifting variations of quality , are the only means by which an ...
... performance - they are the living canvas upon which one hopes to paint the fin- ished portrait which one has envisaged . These fellow actors , these audiences , with their shifting variations of quality , are the only means by which an ...
Página 651
... performance to performance if measured carefully , but these small differences are overlooked as presenting no artistic problem . Because of indeterminancy , the differences in detail are greater between two successive performances of a ...
... performance to performance if measured carefully , but these small differences are overlooked as presenting no artistic problem . Because of indeterminancy , the differences in detail are greater between two successive performances of a ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York