Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 páginas Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Página 87
... never so composed and formal , his eloquence and elaborate phrases never so material and pithy , his memory never so firm and re- tentive , his pronunciation never so musical and plausive , yet without a comely and elegant gesture , a ...
... never so composed and formal , his eloquence and elaborate phrases never so material and pithy , his memory never so firm and re- tentive , his pronunciation never so musical and plausive , yet without a comely and elegant gesture , a ...
Página 176
... never absolutely replace nature .... It has been said that , despite all your advantages , you did not receive from nature that degree of feeling which makes art disappear . Indeed , that is something you have never succeeded in ...
... never absolutely replace nature .... It has been said that , despite all your advantages , you did not receive from nature that degree of feeling which makes art disappear . Indeed , that is something you have never succeeded in ...
Página 300
... never spoken in life ; let him not be an imitator or seek his models in a world alien to the actor . In short , let him not be ashamed of the fact that he is acting . Let him not deny the theatre or try to feign reality . On the one ...
... never spoken in life ; let him not be an imitator or seek his models in a world alien to the actor . In short , let him not be ashamed of the fact that he is acting . Let him not deny the theatre or try to feign reality . On the one ...
Términos y frases comunes
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York